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In
this issue
+++ Interviews +++ Theorisations +++
+++ Reviews +++
+++ for more texts please see Issue 01+++
Perceptual Gymnastics and the New Context of Radio Art by Joe Milutis - An interview with American radio artists Rev. Dwight Frizzel and Jay Mandeville. "The interview happened sometime between the relative obscurity of the concept of radio art in America and a minor surge in scholarly and creative interest that is still with us ... Frizzel and Mandeville are the producers of the radio series From Ark to Microchip which includes such shows as "The Phenomenological Telephone," "Some Indeterminate Moments with John Cage," and "Elvis: A Space Odyssey"."
It's all Jazz by Frank Hartmann and Richard Pettauer - An interview with Paul D. Miller, aka DJ Spooky. Sound and media literacy, homage, appropriation, philosophy and music.
Joyce Hinterding is a cross media artist living and working in Sydney, Australia. Her work "Aeriology" was exhibited at the V2 in Rotterdam in May this year. Here she discusses her thoughts on her use of sound and electricity in her installation works with Josephine Bosma.
Some thoughts on voice and modes of listening by Kate Callaghan - Is sound merely a phenonemon of physical vibration, is it phenomenological, and how then shall we define silence?
From: Josephine Bosma <jesis@xs4all.nl>
Subject: <nettime> [re-do] Calling Nettime Radio
"To become like music is the aim of every art" (1)
an edit of texts and interviews that cover a period of two years
Adelina Patti: "Ah, non credea mirarti" by Kate Callaghan - A discussion of "Ah, non credea mirarti" (Bellini: La Sonnambula), as recorded by Adelina Patti on acoustic phonograph 1906, which shows an example of the ways in which the act of listening to a recording has changed in the intervening years.
