Contemporary Sound ArtsEssays In SoundEssays In Sound 2: TechnophoniaCall for submissions CSA publishes Essays in Sound, perhaps the only existing series
journal in the world dedicated to sound art theory. address all correspondence to:
Contemporary Sound Arts was set up in 1991 to: create and promote a facility for critique, analysis,
research and production in the area of sound, and to encourage and promote
debate amongst practitioners, nationally and internationally facilitate an interdisciplinary approach to the critical
investigation of sound encompassing historical, political, philosophical.
artistic, sociological and technological perspectives engage in and support research, and the production and
distribution of various forms of print and electronic media related to
sound. To date, CSA has produced three issues of a sound journal.
The first Essays In Sound was edited by Shaun Davies, Annemarie Jonson and Eddy Jokovich in 1992. The second Essays In Sound 2: Technophonia was edited by Alessio Cavallaro, Shaun Davies, Frances Dyson and Annemarie Jonson, and was published in September 1995. The third, Essays in Sound 3 was published in
1997. Additionally, CSA has been involved in a number of sound
events such as the successful performance of the French sound artist Henri
Chopin at the Museum of Contemporary Art in Sydney in 1992.
Contemporary Sound Arts
Telephone: +61 (0)2 9516 2122
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